Get INVOLVED
Don’t think, DO IT!
We’re always on the lookout for actors, directors and writers. We’re also keen to hear from people who’d be interested in becoming part of our backstage hero team. You don’t need experience, just a willingness to “pitch” in.
For more information on how to get involved or to be added to the mailing list please contact Bradley Barlow for details of how you can get involved by emailing pitchybreath@gmail.com or complete the form below.
Do it…do it NOW!
Got INVOLVED
Here’s some feedback from cast and crew regarding their experiences with one of the South’s leading community theatre projects.
GARY ANDREWS
- Member since 1995
- Involved in 15 productions
- Still Vibrating (acting)
- Macbeth (acting and director)
- Merry Wives of Windsor (acting)
- Cyrano de Bergerac (acting)
- Torn (acting)
- King Lear (director)
- A Midsummer Night’s Dream (acting)
- Torn – tour (acting)
- Hamlet (acting)
- The Fair Maid of the West (acting and director)
- Much Ado About Nothing (director)
- Shorts (director)
- Comedy of Errors (director)
- The Taming of the Shrew (director)
- The Wind in the Willows (writer, adapted from the novel)
BRADLEY BARLOW
- Member since 2010
- Involved in 6 productions
- Mokita (acting)
- 143 Seconds (writer and director)
- Dead Leaves (writer and director)
- No Place Like Home (acting)
- Surprise (director)
- Playing with Fire (director)
NICK DUKE
- Member since 2010
- Involved in 6 productions
- The Wind in the Willows (acting)
- Comedians (acting)
- Shorts III (acting)
- Little Red Riding Hood & Three Little Pigs (acting)
- No Place Like Home (acting)
- The Hare and the Tortoise, Goldilocks & the Three Bears, Rumplestiltskin (acting)
After finishing university I was at a loose end. I had always loved acting but hadn’t performed for a while, so I went along to the drama workshop and rediscovered my passion. From there I joined Pitchy and I have since been involved with six incredibly varied and successful shows. I have lost myself in challenging and interesting roles ranging from a human ventriloquist dummy, to a posh owl and a cricket team captain from the nineteenth century. Whether it is drama or comedy, Pitchy are never afraid to push the boundaries with their plays and provide an escape for performer and audience alike! They also nurture and promote the talents of local writers and directors, which provides a much needed platform for exciting and unique local theatre.
Pitchy is so much more than a theatre company, it is a family and a loving community of people. It has given me the opportunity to meet individuals of all ages and backgrounds and I have formed some lifelong friendships as a result. There are no egos or judgement with Pitchy, just a group of people sharing a common love for theatre and giving it a go. As a Crawley resident and teacher, I am only too aware the importance that a community based theatre company has for the area. I sincerely hope Pitchy is around for many years to come.
SALLY GILGEOURS
- Member since 2015
- Involved in 2 productions
- The Hare and the Tortoise, Goldilocks & the Three Bears, Rumplestiltskin (acting)
- Surprise (acting)
THELMA HEDLEY
I was 50 years old with a long-standing secret wish to do some acting when I saw an advert for actors to take part in a Pitchy Breath production of Shorts. I plucked up courage to go to the audition, where I was the oldest and least talented person present – although I was made to feel as if I had as much right to be there as anyone else.
As it turned out, my age was in my favour because one of the parts called for an older person, and the director of one of the ‘shorts’ cast me in the role.
The sainted David Heley was also directing one of the short plays, and decided that as so many people in Crawley were interested in drama he would hold classes on a Monday evening in a community hall. During those classes Dave took us through improvisation exercises and put on a production at the end of each term with parts for us all. Although I was still the oldest and least talented member of the class, Dave’s encouragement and the friendliness of the other students created a relaxed and fun learning experience.
As a result of this nurturing I had the confidence and skills to act in quite a few Pitchy Breath productions, and then in other amateur drama companies. I am very grateful to PB, and know that there are other people out there who are just waiting for the opportunity that I was given.
MARISA JOHNSON
- Member since 2011
- Involved in 2 productions
- The Gentleman’s Friend (acting)
- There’s No Place Like Home (acting)
CHARLIE JOSEPH
- Blog post: Charlie Joseph recounts his year at Pitchy – read here
SONIA MOIR
- Member since 2005
- Involved in 4 productions
- Much Ado About Nothing (acting)
- Taming of the Shrew (acting)
- Shorts III (acting)
- Dead Leaves (acting)
I became involved in Pitchy via Gary Andrews who directed me in Much Ado and it has remained a hugely important part of my life over the past 11 years. I still count so many people, from my first show to my last, as good friends, and that’s part of the beauty of the Pitchy Breath concept – everyone is so supportive, encouraging and eager to develop their skills; you would be hard pushed to come away from any show without a new friend or two!
Am-dram groups can be cliquey and get a bad name for themselves, but Pitchy is nothing like that. It’s very democratic – large and diverse groups of people attend auditions and are allocated roles on the basis of their skill or potential to perform it rather than because of who they know in the company. It means that the membership is constantly in flux, so you’ll find yourself working with people of all ages, from all backgrounds which makes for a very exciting and dynamic creative environment. There’s also a real feeling of quality to the group, from the standard of the material which is chosen and performed to the level of skill demonstrated by everyone involved, both on and behind the stage.
For me, Pitchy is one of the places I can truly be me – outside of my job and my role as a mum. It’s where I’ve been able to follow my passion for performing, learn from incredibly talented people and have some of the best bloody times of my life! Long live Pitchy Breath!
SOPHIE WADDINGTON
- Member since March 2011
- Involved in 6 productions
- Wind in the Willows (acting)
- The Fall + Fall of David Jones (props)
- Shorts III (acting)
- Red Riding Hood & Three Little Pigs (acting)
- Dead Leaves (acting + props)
- Hare + Tortoise, Goldilocks & Rumplestiltskin (acting)
My first experience of Pitchy Breath Theatre Company was watching Taming of the Shrew in 2011. It inspired me.
At the time I was fighting against postnatal depression and in dire need of a purpose outside of my home. I nervously auditioned for Pitchy’s summer show and found myself welcomed into a whole new family. I rediscovered skills that I’d learnt doing Performing Arts at college and many more were added to my repertoire. I was made to feel valued and gained confidence and pride that has changed me for the better.
I feel that Pitchy is an important part of Crawley’s artistic community. Whether you are on the stage, helping behind it or watching from the audience you sense that this group are friends. I have met some wonderful people many of whom I hope will be life long friends and I’d love for my 11 yr old daughter to one day have the opportunity to join us.
At Pitchy you aren’t judged or excluded but supported and encouraged to help create some amazing theatre.
ALEX TAYLOR
- Member since 2013
- Involved in 6 productions
- The Fall + Fall of David Jones (acting)
- Shorts III (acting)
- Red Riding Hood & Three Little Pigs (acting)
- Dead Leaves (acting)
- No Place Like Home (acting)
- Surprise (acting)
AMY TAYLOR
- Member since 2013
- Involved in 8 productions
- The Fall + Fall of David Jones (acting)
- The Gentlemen’s Friend (acting)
- Shorts II (acting)
- Red Riding Hood & Three Little Pigs (acting)
- Shorts III (acting)
- Dead Leaves (acting)
- Rumplestiltskin (acting)
- Surprise (acting)
AMY TERRY
- Member since 2014
- Involved in 2 productions
- Little Red Riding Hood & Three Little Pigs (acting)
- The Hare and the Tortoise, Goldilocks & the Three Bears, Rumplestiltskin (acting)
From my first day, I have never felt so welcome and included. Before I joined, Pitchy was already an established family, but everyone was willing to invite and collaborate with new and exiting members.
There has never been a dull moment in rehearsals and through this I have met some amazing people along the way, all of which have become true, life-long friends.
Pitchy is a group, governed with the aim to create entertaining performances, in order to inspire and engage the community. Regardless of experience, wealth or background, Pitchy is a growing family with so much more to offer.
As we all exist within a society full of poverty and hard-ship and economic depravity – how can this group end? Who will be around to inspire and challenge individuals and give them a safe place to explore their creativity and self-expression?
TIM FIFIELD
- First show 1997
- Been involved in 20 productions
It’s hard to believe that I’ve been involved with this group for nearly 20 years. From Shakespeare through to edgy new writing it’s been my pleasure work with some truly talented individuals both on and off stage. For me Pitchy is the very definition of community theatre allowing curious individuals the time and space to develop their talents in a supportive and highly creative way.
Here are 10 reasons why I think Pitchy Breath is a vital part of our cultural landscape:
- We champion new writers
- Production standards are consistently high
- We perform in professional spaces
- Everyone is equal, there is no hierarchy
- The shows are innovative, challenging and engaging
- Audience appreciation is very high
- We celebrate and support new starters in all aspects of theatre production
- We attract and encourage input from professional actors and directors
- We are multi-cultural and inclusive
- We nurture and develop young talent
Personally I’ve developed as a writer, performer and actor and owe a debt of gratitude to this company for allowing me to perform a one man show, dress up as a toad and expose various parts of my body without getting arrested.